Fraser Campbell & Iain Laurie have already been an impressive combination on the likes of The Edge Off but could they hit the same heights twice?
Tag Archives: Colin Bell
A Comic a Day in May – Day 1: Alex Automatic #3-5
Fraser Campbell & James Corcorran put their creative heads together to introduce us to Alex Automatic in that opening issue before building on that world in the second issue and with more on the way…….it was time for a catch-up AND a look ahead.
Reel Love – The Complete Collection
A Comic A Day in May – Day 4: Deep-Ender #1
I’ve been a fan of John Lees work since he hit the indie comic scene with The Standard and while he’s hit success after success with his horror tales, his latest release sees him venture out into the sporting rom-com genre.
Advance Review – The Edge Off
Billed as a “trippy crime psycho noir” it was safe to say that I was intrigued by what Fraser Campbell & Iain Laurie would bring in their new one shot release that’s set to hit Kickstarter this Friday.
G-Man talks to Owen Michael Johnson & John Pearson about the Beast Wagon Finale
Beast Wagon has been one of THE stand out titles to come from the UK indie/small press scene in recent years and after interviewing the creative team ahead of the release of the first issue back in 2015, it seemed fitting that I should catch up with them again as we edge closer to its conclusion.
Beast Wagon Finale Preview
The final issue of the phenomenal Beast Wagon will see the light of day on it’s release on the 1st April and while I hope it’s all a joke that it has to end I can’t wait to see what the fifth issue brings us.
G-Man’s highlights of 2016: Day 23 – Alex Automatic
Fraser Campbell teamed up with James Corcoran to bring us the latest Cabal Comics release and after a stunning Kickstarter campaign it became a reality.
G-Man’s highlights of 2016: Day 20 – Sink #1
In recent year’s I’ve had some horror titles sneak into my reading list without realizing it and mainly from the indie/small press scene but one of the strongest I’ve read was Sink by John Lees.